1/f @[email protected]

痛絶这张专辑真的太好听，mucc的免死金牌，你们再怎么变成猴子我一想起这张好听的专辑也会觉得都这样了没事的

“namely that of national cinemas and Hollywood not only as communicating vessels, but (to change the metaphor) existing in a space set up like a hall of mirrors, in which recognition, imaginary identity and mis-cognition enjoy equal status, creating value out of pure difference” ([Elsaesser, 1994, p. 47]

听得展开了

好想拿很大的音响听静香啊，好好听，6克的星星

deleuze: from godard's 'old distinction of “action” and “reflection”', to 'the movement-image of classical cinema with the time-image of modern cinema'

Yet he dismissed the suggestion that he might be threatened by Hollywood: “If you can’t stand the heat, get out of the kitchen. Living in the 20th century meant learning to be American.”

Thus, national cinema becomes, on the one hand, a pseudo-oedipal drama around paternity and father-son relationships，，，

真的希望自己有狗的牙口，学习的时候可以啃磨牙棒什么的，不用真的吃进去很多东西，也不至于颞颌关节紊乱，

拼搏百日我要上soas

感觉很casanova ，film studies有没有用过casanova的，应该有的吧

这样被taken out of context还挺manifesto的，但是本身只是在说在欧洲发现自己存在于好莱坞之外的、那种心态、那种文化上的反应

“Only a state that can admit to and make room for the multi-cultural, the multi-layered within its own hybridities can henceforth claim to be a nation, and therefore only films that are prepared to explore hybridities, in-between states, the self-in-the-other can be in the running for a national cinema.” (Elsaesser, 1994, pp. 39-40)

樱井敦司是纸片人就好了

想做那种腌制蛋黄但是不想买mirin，，，冰箱位置太少了

我想穿越到捷克珍妮的世界里看fumikai合法卖腐卖腐卖腐卖卖卖卖卖

招魂那个兔子耳朵的1993年铁子

听ma cherie听得那种杀马特心情来了